CL 183 - Australian Art < Main | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 >


61 John Goodchild Australian 1898-1980
Afternoon Light, 1926. Lithograph, titled, editioned 19/30, signed and dated in pencil below image, 33.8 x 47cm. Minor stains to centre and left of image, repaired tears to image left and mar gins.
Held in NGA.
$1,100

62 Bruce Goold Australian b.1948
Cockatoo, 1986. Hand-coloured linocut, titled in block lower left, editioned 11/50, signed and dated in pencil in lower margin, 43.6 x 31.6cm. Slight foxing to upper portion. Framed.
$1,250

63 Wolfgang Graesse German/Australian b.1930
Allegoria (Sydney), 1967. Pencil drawing, monogrammed, dated, titled and signed upper to lower right, 36.3 x 27.2cm (paper). Repaired slight surface loss to upper corners, minor stain to right edge.
A Durer-inspired image.
$1,250

64 Murray Griffin Australian 1903-1992
The Shorn Ones, 1933. Colour linocut with woodcut, titled and monogrammed in image upper right, editioned 12/16, titled, signed and dated in pencil in lower margin, 27.7 x 35.1cm. Minor glue remnants to image upper left.
Held in Castlemaine Art Gallery.
$2,650

65 Murray Griffin Australian 1903-1992
Wild Duck, 1933. Colour linocut with woodcut, monogrammed in image upper right, editioned 14/17, titled, signed and dated in pencil in lower margin, 16.2 x 21.5cm. Slight tears to lower margin, old mount burn.
Held in NGA.
$3,300

66 Oswald Hall Australian 1917-1991
[Portrait], c1939. Oil on textured paper, signed lower right, cancelled correspondence in ink verso, 16 x 11.2cm. Paper loss to image centre right, crease lower left, slight foxing, minor tears and missing portions to upper edge.
Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent artist. Oswald was influenced by Christian Waller, who shared his interest in Theosophy. He was a founding
member of the Contemporary Art Society (Victorian Branch). Ref DAAO.
$1,350

67 Bernard Hesling British/Australian 1905-1987
[Man And Goanna], c1970s. Vitreous enamel on metal plate, signed lower centre, 28cm (diameter). Chip to enamel outside image.
Hesling's plates are held in NGA and Powerhouse collections. Bernard Hesling was a British-born muralist and painter who lived and worked in Australia and produced many vitreous enamel artworks and wrote humorous autobiographies. Ref: Wiki.
$1,250

68 Bernard Hesling British/Australian 1905-1987
[Hand And Figure], c1970s. Vitreous enamel on metal plate, signed lower left, 28cm (diameter). Minor crazing to lower portion.
$1,150

69 Bernard Hesling British/Australian 1905-1987
[Comedy And Tragedy], c1970s. Vitreous enamel on metal plate, initialled "H" and annotated "test" lower right, 27.5cm (diameter).
$1,250

70 Bernard Hesling British/Australian 1905-1987
[Knights And Their Horses], 1972. Pair of vitreous enamel metal plates, both signed and one dated lower centre, 28cm (diameter, each). Some scratches, scuffing.
The pair $1,850


71 Frank Hinder Australian 1906-1992
[Parrots], 1977?. Lithograph, initialled and dated in image lower right, editioned 3/5 in pencil lower left, 17.9 x 17cm. Framed.
Rare, uncommon image which is not listed in Bloomfield's book on Frank Hinder's lithographs.
$1,850

72 Attrib. Rayner Hoff Australian 1894-1937
[Virgin Mary], c1930. Plaster relief, 43.9 x 24.4 x 1.5cm. Hairline crack centre left, chips to edges, slight stains. Framed.
$3,300

73 Livingston Hopkins American/Australian 1846-1927
The Fisher, 1889. Etching, signed and dated in plate lower right, 12 x 16.2cm. Minor soiling and old mount burn to margins.
Held in NGA. Livingston York Yourtee "Hop" Hopkins was an American illustrator who became a major Australian cartoonist, working for The Bulletin during the time of the Federation of Australia. One of his major hobbies was printmaking and he introduced a number of artists in Sydney to etching including Julian Ashton, Tom Roberts, B.E. Minns and Arthur Streeton. Ref: AGNSW.
$1,350

74 William Hunter British/Australian 1899-1963
The Greek Scholar, 1945. Etching and aquatint, signed and dated in plate lower right, editioned 13/50, titled and signed in pencil in lower margin, 16.1 x 18.1cm. Cockling overall, tears and slight
stains to margins.
William Hunter's work is represented in NGA and AGNSW.
$880

75 Kenneth Jack Australian 1924-2006
Christian Building Since Christ's Death III, c1961-1965. Perspex engraving with colour screenprint, initialled in plate lower left, titled, editioned 14/30 and signed in lower margin, 32 x 44.5cm. Minor paper remnants to image centre.
Ref: Klepac #306.
$990

76 Kenneth Jack Australian 1924-2006
Ferries, Brisbane River, 1962-c1963. (a) Pencil study, titled, signed and dated in pencil upper right and lower left, 42.7 x 37cm. Foxing overall. Framed. Ref: Klepac #108. (b) Linocut with screenprint, titled, editioned 6/30 and signed in pencil in lower margin, 32.5 x 27.8cm. Missing portions, paper loss and tears to right margin, repaired perforation to left margin, old mount burn.
The pair $2,650

77 Kenneth Jack Australian 1924-2006
Ghost Town, c1973. Lithograph, titled and signed in pencil below image, 40.4 x 65.5cm. Repaired tears to left and right edges, slight paper loss to image lower left, old mount burn.
The town is most likely Hammond in South Australia.
$1,550

78 Allan Jordan Australian 1898-1982
[Parrots], c1930s. Colour woodcut, initialled in block lower left, 20.1 x 22.8cm.
Artist, printmaker and teacher Jordan is best known for his bookplates and woodcuts. His work is held in numerous Australian institutions, including the National Library, National Gallery of Art, Hamilton Art Gallery and Benalla Art Gallery.
$1,250

79 Stephen King Australian b.1958
Brave Cowboy Bill Says Hello, 1988. Linocut, annotated "A/P", titled, signed and dated in lower margin, 32.5 x 43cm. Minor foxing to image lower right and margins.
Stephen King originally studied printmaking at the Sydney College of the Arts. After graduating, he moved to London for postgraduate study at St Martin's School of Arts. On his return, he switched from linocuts to sculpture. Ref: Maitland Regional Art Gallery.
$880

80 Amie Kingston Australian 1908-1996
Gas Mask, 1939. Lithograph, titled and signed in pencil below image, 11.7 x 12.3cm. Slight foxing to upper portion of image, minor stains and missing portion to edges of paper, old mount burn. Laid down on acid-free tissue.
Held in NGA. Unusual, rare image by Kingston. Hobart-born painter, art teacher and theatrical designer Amy (Amie) Kingston was studying art and design in London when gas masks were issued to all British civilians in September 1939 at the start of WWII. There was a grave fear that poison gas bombs would be used again with the devastating effect experienced during WWI. Civilians were directed to carry their gas mask at all times, with the threat of a fine if they were caught without one. Ref: NPG; Huffington Post, 2016.
$4,400

CL 183 - Australian Art < Main | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 >